i was a ballerina for thirteen of my young years.
i was okay, but probably too anxious and type A to really perform what was in my heart, but i've always followed direction well.
i cannot explain how important my choreographer was to me. so much, particularly, in retrospect.
rival studios produced dancers who hated themselves and their bodies. their choreographers limited expression and laughter. competition was THE THING and first place was the only discussion.
that was not the studio i knew.
i grew into a woman's body very young and very strikingly and i was never allowed to feel bad about the fact that i looked different.
i took on responsibilities at school and was a "smart girl", and they made me feel proud.
other dancers asked me for help, help when decisions hurt and were scary.
this was a kind of family; not how we were all raised, but how we would learn to care about others. i still love these women (although i knew them as girls), even though i've fallen out of touch with most.
i didn't look how ballerinas looked (...still don't), but i still had fierce technique (when i could concentrate) and a disarming stage presence.
i brought homework to rehearsal.
the biggest compliment was becoming "miss becky"; a student teacher who followed the teacher's lead, but became important to the young girls who learned routines by watching me sometimes.
i had a solo in a group production performance in "all that jazz" from 'chicago' (i was obviously velma). the movie came out at the end of that year (i think), and as my choreographer taught younger girls the dance, everyone wanted to know who would play miss becky's part.
no one asked who would be catherine zeta-jones.
i think my choreographer knew that i wasn't planning on dancing professionally, but she wouldn't let me leave my creative spirit. she knew exactly when to compliment and exactly when to criticize.
in my senior bio, my last year dancing there (at all, sadly) i wrote that i someday hoped to have little dancers of my own someday, learning under my choreographer.
i'm now facebook friends with my choreographer.
i cannot tell you how she makes me swell with pride and admiration.
not only is she an honest adult friend to her dancers, but she's an authentic woman.
a few years ago, when she knew that i was making a life for myself in new york, she told me about her oldest son.
i'd heard about him in my youth; she was young when she had him, and he'd moved to new york city to make a name for himself as a performer.
well.
that's her daughter, now.
i congratulated her, reacting from a gut feeling and forgetting that sometimes, social graces aren't politically correct.
she thanked me, and although it was an online chat, i felt her relief. and her pride.
she remarked with some of the most important words i've ever encountered:
"you know, when i was pregnant i didn't care about [her sex/gender identity]. why should i care now?"
i told her that i wanted to put her on a t-shirt. that every child should be so lucky to have a parent embrace their every being.
in an uproared world like now, these words sing with me, even today i am brought to tears.
she is a creative, business-smart woman with a self-made history and a motherly touch that pervades her every day life.
that is what i want. in my own career. somehow.
My new favorite website
1 week ago